Reply To: Mixing Hi-Hats


Totally get it. I am a particular fan of how Billain puts it, that these sounds are really the “glue.” I usually bus them all to a channel that has some sort of compression/limiting going on so that when the transients of one break are greater than the transients of the other break, it sort of “swaps out,” so to speak, and so you have this effect of things coming in and out while maintaining a balanced high end. I’m currently working with a label to get a few tunes released, so I’d rather keep them under wraps for the time being, but thanks for the curiosity! If you have anything you’d like to share, I’d be down to hear it

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