Finding extensive bandpass filtering results in the most evocative and expressive movements when applied to bass noises, but at the cost of thinning and weakening them. What are your favourite methods for maintaining aggression and presence despite substantial filtering on your bass sounds?

How do you cope with your Virus TI adding low-level noise when running sounds through its inputs, as you presumably put things through it a few times, and distortion and limiting quickly brings noise into audible territory.

Thank you Adis, love your art.

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