Mofisch
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MofischParticipantDefinitely pitchbend. If it’s about the sound, I would also suggest playing around with very short delay, make it more metallic sounding, robotic.
,MofischParticipantYeah, thanks, just as you suggested works, really good.
I also just bought Brainworx digital V2 cause it’s on sale at Plugin Alliance. That thing is awesome! When you work 5 minutes on just the mono or side mix to get them straight, and then unsolo it, it’s like heaven opens 🙂
But I’m not yet sure about which way I’ll go, since I have definitely more control over everything when working with MSED as you suggested,
When you start working with the whole M/S stuff, it’s hard to stop,
it’s like a whole new world popping up!,MofischParticipantI´m trying to get a good mixing set up for m/s de-encoding.
So basically, I´m unsure as how to set this up.
I have my Bass seperated in 3 groups in Cubase, sub/mid/high and then all together in one bass group. I also have my drums seperated as for kicks/snares/hats etc. all going into a NY Compression Bus and together in a “drums sum” bus.
I would like to split now all signals into a mid signal and a side signal to compress and mix them individually. Do you guys have an idea how to achieve this for example via voxengos msed?
Should I create two final busses for the master or what do you guys do?
Thanks for the tip!,MofischParticipantHey thanks for this opportunity and you taking the time!
And a late Happy Birthday!!!My one question is:
How do you program drums? Especially the ghost hits and percussion?
Are you analysing a loop you like, render audio to midi and use a drumsampler or machine to exchange the sounds or do you build them from scratch? I know there is probably not “one” way, but is there maybe a way you do most often?Thank you very much!
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