Hydro bass
- This topic has 12 replies, 5 voices, and was last updated 6 years, 2 months ago by ,
Mircea.
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2017-11-12 at 16:52:22 #32856,
Mircea
ParticipantHow would one synthesis such a bass timber? Is is a layered sub or a mid bass? Is it layered noise with ring modulation? Would be really cool to break this down, any thoughts?
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2017-11-13 at 16:23:15 #32865,
HarryModeratorThe deep bass with the fast stutter that comes in?
"Knowledge kept is knowledge lost." - Bobbito Garcia
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2017-11-13 at 20:59:40 #32867,Participant
Yes, I interpreted as layered white noise. Do you have any idea how to get going with something like this?
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2017-11-14 at 09:33:38 #32871,
atmosfearParticipantIt might be distorted layer of the actual bass that’s been EQed to only let the tops pass, because it sounds very organic and moves along with the mids/sub. It has that typical top “crunch” you can usually get with distortion.
It could also be a white noise from the original synth the bass was made from, that would explain why it moves so well with the rest of the bass
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2017-11-14 at 11:36:54 #32874,Participant
Turns out it’s tape distorsion (spoke with Hydro). Now, anyone knows any good tape distorsion (general principles and best practices) tutorials? And maybe then some tutorials on how to apply tape distorsion on basses? Would be nice to get even a starting point on that sound.
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2017-11-16 at 14:28:34 #32893,atmosfearParticipant
There’s a Break tutorial in this edition of computer music, where he explains how use distortion with your sub bass to achieve that effect
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2017-11-16 at 14:50:36 #32894,Participant
I also stumbled upon this, which should provide some additional informations as well. Any other resources are more than welcomed, given that it’s such a beautiful timber for a sub bass.
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2017-11-16 at 18:55:01 #32895,Participant
There’s a Break tutorial in this edition of computer music, where he explains how use distortion with your sub bass to achieve that effect
Awesome. Now, where can I get that issue. I’ve looked everywhere and couldn’t find a way of buying it.
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2017-11-16 at 19:13:01 #32896,Participant
Found it. Bought it. Thanks
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2017-11-16 at 19:51:49 #32897,Participant
Though I really enjoyed the tutorial, it doesn’t quite get close to the timbre that I am looking for. Any additional informations on how to recreate that initial sub in the song played by Hydro?
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2017-12-26 at 09:17:41 #34733,
MoritzMofesParticipantHow’s the track you’re refering to called ? Absolutely delicious
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2018-02-02 at 19:01:19 #37784,Participant
How’s the track you’re refering to called ? Absolutely delicious
I wish I’d knew.
this type of sound is done very fast in fm8. single operator on sine with a bit self feed and then feed the noise osc into that operator. adjust volume, pitch envelope to your likes. If you want it detuned add another operator with slight diffrent ratio
What about a solution using saturation on a pure sine, using and saturating different frequency bands?
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2017-12-27 at 17:00:12 #34755,
Eugen BassParticipantthis type of sound is done very fast in fm8. single operator on sine with a bit self feed and then feed the noise osc into that operator. adjust volume, pitch envelope to your likes. If you want it detuned add another operator with slight diffrent ratio
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