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If he hasn’t recorded it already, could we have War to explain how he creates his breaks in a similar fashion that Quadrant did (sample sourcing, groove programming, processing etc…) ? and also how he goes about creating his signature cinematic soundscapes and incorporates them into a tune.
Those are the 2 things I believes sets him apart as a producer 🙂
I second this. War is a badman, and his breaks are pure quality.
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