shrike
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shrike
ParticipantI have also been auditioning specific synths and sounds.
I suggest watching Ridley’s “Final Cut”. Whatever you do, don’t watch the original theatrical release. Studio execs underestimated audience intelligence at the time, and forced a (terrible) Harrison Ford narration to go over the already finished film. Harrison read it extremely poorly, on purpose, thinking that if it was bad enough, it wouldn’t be used. But it was. Not good.
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,shrike
ParticipantYeah I think like any monitors, one needs to reference and understand what they are doing to the sound.
But when it comes to finding the absolute most nose-itching bass, it’s invaluable to me.
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,shrike
ParticipantI use Senn 650HD and a sub pac 98% of the time, augmented every now and then by an Avantone mixcube.
Subpac is legit. Highly recommended.
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,shrike
ParticipantNice, congrats!
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,shrike
ParticipantSo who else got played on Noisia? Haven’t had a chance to listen yet…
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,shrike
ParticipantThank you for the effort.
Love my SG MASSIV
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,shrike
ParticipantCongrats Joppa!
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,shrike
ParticipantYeah I’ve had bronchitis for a bit now…first challenge I have missed.
Ready for the Bladerunner challenge, though!
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,shrike
ParticipantWell gosh, my mistake. Good catch brb
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,shrike
ParticipantThe LFO is not attached to the pitchbend…it is attached to the note #. He’s not touching the pitch when the LFO hits a higher rate on a higher note, he’s literally hitting a key one octave up.
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,shrike
ParticipantI’m still thinking about this. Not gonna write a half ass answer, so I’m waiting until I can truly commit some time.
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,shrike
ParticipantBIG BIG BIG
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,shrike
ParticipantDouble FAKE!
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,shrike
ParticipantI have much to say on this. Before I do, a few questions, asked in earnest:
1) how long have you been producing with serious intent? Not dicking around, but furiously serious…?
2) have you set any personal goals? What would you like your efforts to achieve?I’ll reply more after those answers…
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,shrike
ParticipantWhich synth?
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